An anthology of comics and animations set in the fictional Commonwealth of Aurora. Created by Mitch Ran, a solo artist, animator, voice actor, and musician.Firefly City Stories are intended for young adult (16+) audiences and older.

Welcome to Firefly City!

Which story would you like to visit?


Bluefire Books

A gif of Samantha from Bluefire Books: A Firefly City Story waving at you.

A webcomic featuring Samantha and her new book café in Firefly City. As she struggles to keep her shop afloat, she runs into all kinds of odd conundrums...


Where's Willow?

Where's Willow? - A Firefly City Story thumbnail

An indie-animated series featuring the story of a missing hiker, an isolated park ranger, unforgettable memories, and some ghostly mountain mischief...


More Coming Soon!

What's next in FCS?

Want a small hint of what new stories might join the Firefly City Stories universe in the future? Check out this list of cryptic clues and give it your best guess!

More FCS

Extra Firefly City Stories info and content!


Support FCS!

Support Firefly City Stories!

Subscribe for early access and backstage content on Patreon, make a single donation on Ko-Fi, or grab something from the shop! Support is very much appreciated!


FCS Shop

Firefly City Stories shop merch examples

Grab yourself some cool merch from Where's Willow?, Bluefire Books, and other Firefly City Stories projects! Proceeds help support the creation of more shows, comics, and stories!


FCS Music

Firefly City Stories music by Mitch Ran

Listen to the official music soundtracks of various Firefly City Stories, as well as other tracks by creator Mitch Ran. Soundtracks can be streamed or purchased for download!


About FCS

Welcome to Firefly City Stories!

Discover more about the universe of Firefly City Stories along with background details about production and inspiration. Check out maps, deeper lore, timelines, and more!

 

About Firefly City Stories

Hi! I'm Mitch Ran, the creator of Firefly City Stories. I'd like to share the background on FCS and its production with you!Throughout this page I've tried to describe everything in detail while keeping it organized and readable in chunks. I have links to things that might be of interest, but none of them are sponsored or anything. They're just there for if you're curious. I hope it's interesting or even helpful to you!


What is Firefly City Stories?

Welcome to Firefly City Stories!

Firefly City Stories (I often abbreviate this as “FCS”) is a collection (or anthology) of comics, animations, and other media set in the fictional location of Firefly City and its surroundings. Each subproject explores aspects of young adult (and later) life, and focuses on how the different mindsets, experiences, and stories of characters can intertwine, mix, and affect each other.These stories primarily come from abstractions of personal experiences of both myself and those close to me. When I say “abstractions,” I mean that the stories aren’t literal retellings of things that have happened, but instead are mixed up, simplified, and distilled versions that are designed to be more universal while retaining their meaning.


How are FCS projects made?

Depending on the type of project (comics, animations, or something else), there can be several different pieces of the FCS project workflow. Below they are listed in the general order that I usually follow them in.

An example of the script/storyboard creation from Where's Willow?

  • Writing:
    • Writing for Firefly City Stories starts with a look at the worldbuilding, maps, and other prior stories in the FCS collection so far (see the lore page). I want to make sure that each story can cleanly exist in the same universe as the others without breaking continuity or introducing any unintentional paradoxes or plot/lore holes.
    • Alongside the existing world lore, I also look for (or sometimes already have) a few key pieces of inspiration that made me want to write a particular story in the first place. These are usually first and foremost personal experiences in my own life, but can also include video games, books, and real-world events that have a particular impact on me.
    • I usually start writing in a notes app before eventually moving things to a more standard document where I can organize them.

A screenshot from the making of the counter POV in Bluefire Books.

  • Artwork:
    • Artwork is made in 2D vector format (never raster) using Affinity Designer and occasionally Krita. I use vector instead of raster because it allows me to adjust and reuse work where possible, saving time as a single-artist operation. This is essentially the same way that many video games are made, and a video game idea (ironically, still unfinished lol) was what led to me creating Firefly City in the first place.
    • Occasionally, I will do pieces of artwork in real life with physical media as well and incorporate it into projects. The types of physical media I use can range from simple colored pencils and printer paper, to index cards, to oil pastels and charcoal on vellum. An example of this can be seen in Where's Willow? in that Willow's sketchbook actually exists in real life except the cover is yellow and branded with a real company (lol). I also make physical printouts and mockups to test the believability of several of my in-world posters, maps, documents, and even character outfits (I have real world versions of Ernest's uniform, Willow's jacket, and Sam's coffeeshop apron, for example).
    • I also often include photographs that I take in real life. My camera is a bit old at this point (A Nikon D5200), but it still gets the job done, at least for FCS. Some other pictures I just take using my cellphone. Sometimes I also find a use for older pictures I've taken on various vacations and trips.

A screen recording of the animation for a Willow walk cycle. (I had to heavily compress this gif to make it load, sorry lol).

  • Animation:
    • When planning out animations that I have already written a synopsis for, I usually combine the full scriptwriting, artwork, and storyboarding process to save time. I can make the artwork of a setting, pose the vector rigs of the characters within them, and use that to block out how each clip will go and the dialogue and action that needs to happen in each. This takes place using a combination of Affinity Designer and the documents I make during the writing stage. This is only possible because I work on these projects solo, and it lets me anticipate animation challenges and fix them in advance within the script and artwork layers.
    • Animation for Firefly City Stories projects is done using Tahoma2D, which is an open-source fork of Opentoonz. (I've also used Moho Pro before but it was never critical to the project). In order to make animation manageable as a one-person operation, I use character rigs (which is also another reason why all digital art in FCS is vector). While it may not be as dynamic as frame-by-frame, it still allows me enough expressiveness to get my points across (especially after working this way for several years), and pays huge dividends as far as saving time. It also lets me animate at 24 on one and high definition.

A screenshot of the FL Studio project for the Where's Willow? intro theme.

  • Music:
    • Music for Firefly City Stories is made using FL Studio. I mainly use the stock plugins, especially Sytrus. As far as external plugins, I will occasionally use CamelCrusher (sorry I can't link to this as it's been discontinued since 2015 and I can't guarantee any existing links are safe) for bass shaping and Cymatics Origin for a lofi sound.
    • Out of all of the parts of making FCS, music production and photography were my first major hobbies in life. I started both around 13 years old or so, but kept most of my work private until now. Some of the songs and photos you find in FCS now are actually the updated versions of things I started as early as high school on an old iPad mini using Garageband... When I started making music, I was mainly focused on making bass trap music (the kind of music that is the focus of YouTube channels such as Bass Nation). I still make music like this for fun, but don't really know what to do with it when it's finished...
    • Occasionally I will sing in songs, but in order to avoid embarrassing myself I clean it up very slightly using Melodyne lol.
    • The music software I use is probably the most expensive software in the workflow, but I got most of it through sporadic upgrades over the course of a decade during big sales (Black Friday, Cyber Monday, summer sales, etc.). If you want to get them you can save a LOT by doing it that way. Also I originally bought them just for my music production activities, but they also luckily came in handy for making FCS.

A screenshot of the Audacity project for a Where's Willow? short video. I do several takes of each line as shown by the repeating patterns.

  • Voice Acting:
    • I do a lot of voice acting in FCS myself. For me, these stories are often so personal that I don't even really have to act at all; I just relive certain things and all of the emotions become real anyway.
    • When recording, I use Audacity v2.4.2 (the latest version I trust, though I'm considering making the switch to Reaper or just using FL Studio for this too) through a Focusrite Scarlett Solo along with a Rode NT1 5th-generation condenser microphone. Occasionally I also use a Samson Q2U dynamic microphone or even a Fifine K670B condenser mic. I use a pair of Beyerdynamic DT-770 Pro 80Ω headphones to monitor low-end sound, with a pair of Audio-Technica ATH-M20x's as a backup to test higher-frequency noises. I was lucky enough to take an audio engineering class in college (even though it had nothing to do with my major lol), without which I would probably not be as familiar with how to record and process audio.
    • When I can't voice characters myself, I cast voice actors (usually on Casting Call Club) to fill important roles. When I open these calls, I usually post about it on FCS social pages.
    • Though I listed it after animation in the list, voice acting specifically for scenes with lip sync is done in advance. There is no ADR or dubbing in FCS (that wouldn't make sense lol).

  • Sound Effects and Foley:
    • I usually get my sound effects from two main places; either recording them myself or licensing them form Sonniss.com. Sometimes I will find a few CC0 sound effects on Freesound.org, but I try to keep this to a minimum for several reasons. I have also used public domain sound effects provided by Yellowstone National Park in Where's Willow?.

A screenshot of the DaVinci Resolve timeline for episode one of Where's Willow?

  • Editing:
    • To edit videos, I use DaVinci Resolve. Everything in the previous steps finally gets to come together here, and it's always a cool thing to see. I usually place in each clip, align the voice acting audio, then add music and time things accordingly. Once timings are set, I'll add in foley before adding effects and processing volumes.
    • Once editing and compiling is done, I export the 1080p timeline to a 4K .mov in DNxHR HQ with LPCM audio (yes somehow it lets me do this lol) before compressing things down to a 4K h.265 AAC .mkv file in Handbrake (result is usually around 1% the file size of the .mov but with the same percievable quality). This order of operations ensures the highest possible quality to upload to sites like YouTube and Newgrounds without artifacts or huge upload times. For reference, the average Where's Willow? episode was 70GB in it's raw .mov form, but only about 1.5GB once compressed. Though I'm used to it by now, the first time I went through the process it was like a roller coaster, lol.
    • I will occasionally use external plugins such as Soundly Place-It and DearVR Micro for immersive headphone audio. The best example of this would be the thunder and lightning in Where's Willow? Episode One: The Missing Hiker.


Who makes FCS projects?

Mitch R.

Hi! My name is Mitch Ran, and I’m a graphic designer, 2D rig animator, and comic artist from the Cincinnati, Ohio area. My other pastimes include creative writing, music production, voice acting, photography (primarily of nature), and scenery artwork.Before working on Firefly City Stories, my main creative project has been WebCanids comics, a gag-based comic featuring canids such as foxes, wolves, and coyotes in cute and funny adventures. I still create this comic alongside FCS, and share new ones every week! I have also made several fan animations for video games that I enjoy on my old fan art channel, though I've put this on hold for the forseeable future.


Other Frequently-Asked Questions:

More questions that have (much) shorter answers!

  • What is the chronological order of the stories in-universe?
    Where's Willow? occurs around five years before Bluefire Books. I try not to use exact years for actual stories (just the lore), but they would both be set roughly in the 2010's (but still a fictional universe). There are hints of that here and there.

  • Who is the intended audience of Firefly City Stories?
    Firefly City Stories (FCS) is intended for young adult (16+) audiences and older. Most of the stories in this universe revolve around early adult life, college, and other situations that probably won't resonate as much with anyone younger.

  • How is FCS made?
    • Writing for FCS is currently done in Notion and Google Docs (though I'm trying to switch to Obsidian and LibreOffice). Artwork is created in Affinity Designer. Animation is done using Tahoma2D, an open-source fork of Opentoonz. Editing is done using DaVinci Resolve. Music is made using FL Studio.
    • For an in-depth writeup, see above.
    • There is absolutely zero use of generative artificial intelligence in any part of Firefly City Stories production whatsoever. Doing so would defeat the purpose of working on Firefly City Stories in the first place.

  • How is FCS funded?
    • FCS is entirely self-funded out of pocket. Costs are kept down primarily due to the fact that it is largely a solo, self-made project. It does have a few crowdfunding options (Patreon and Ko-Fi) available for donations, which are much appreciated. There is also a merchandise store.

  • Are any things in FCS based on real life?
    • Events, characters, places, and entities in FCS are fictional abstractions. Any relation to real events, characters, places, or entities is coincidental only.

  • Is FCS hiring, casting, or looking for ideas?
    • Thanks for your interest, but Firefly City Stories is largely a solo project at the moment, with the exception of voice acting in animations. This may change someday, but it will be announced if so on FCS social media. Keep an eye out!

 

The World of Firefly City Stories

Firefly City is a major city within the country known as the Commonwealth of Aurora (COA). It sits along the country’s east coast in a cool-weather, sub-alpine environment.Much of this lore was written in 2020 when I was laying the groundwork for what at the time was going to be a single project. I filled things out as I had more and more ideas until 2023, at which point I made the final district and park maps. The world maps were made later in 2025 in preparation for Pilot Light.


Map

Click the maps to see them more closely!

1) A map of the districts and immediate surroundings of Firefly City.
2) A map of the Sunset Valley region of the Starlight Mountains National Park and Preserve.
These maps were made by hand by me, Mitch R.

Districts

Firefly City is divided into several districts, each with its own unique atmosphere.

A large national park encompassing the mountains west of Firefly City. Notable locations include Mount Firefly (the largest mountain in the range), the town of New Dawn, Daylight Valley, and Sunset Valley.

You can learn more about the Sunset Valley region of the park on the Where's Willow? show website.

A well-to-do suburb nestled between Shadow Bay and the feet of the Starlight Mountains.

A wealthy neighborhood situated at the edge of Shadow Bay.

An area of event venues, parks, and other public entertainment and recreation areas to the east of Radiance Beach along the shores of Shadow Bay.

A bustling port that is the hub of the city’s trade infrastructure. It connects to Shadow Bay, Lightning Bay, and, once upon a time, the Firefly City Grand Canal.

A middle-class suburb between Firefly City University and the foothills of the Starlight Mountains.

A neighborhood of high-rise apartment buildings south of Firefly City University. Many students live here during their third and fourth years of university.

The central district of the city which contains most of its skyscrapers, including the blue-tipped Cerulean Tower which is the most iconic part of the city's skyline.

A collection of derelict and partially-flooded neighborhoods destroyed during the Great Canal Flood of 2003. Formerly known as the Lightwater District, most of this area is abandoned and extremely dangerous, and it is known as the darkest district of the city. While some still maintain residence here, they are few and far between, and are often there only due to lack of other options.

An old hub of small-business activity and the location of the city’s primary subway station (Lambent Station). It is situated on the northwestern edge of the Dim District, and is almost completely abandoned.

The city’s primary institution of higher education and one of the most popular universities in the entire Commonwealth of Aurora. The university includes a large student neighborhood to the north centered around Spark Street, with which the neighborhood shares its name.

A group of urban neighborhoods to the north of the city’s center. It includes several apartment buildings and streets of row houses and is regarded as a generally pleasant place to live. Ember Park, the largest park in the city, lies in the northwestern corner of Emberton. It is home to several gardens, walking paths, and other features. Students from Firefly City University and Spark Street often visit this park as it is just across the Firefly City Loop highway from their neighborhoods.

An area of the city containing several manufacturing plants, factories, and other industrial facilities.

A larger, urban sprawl-style suburb to the north of the city between the Firefly Hills and the Starlight Mountains, particularly Crepuscule Mountain and Skylight Peak.

A suburb located on the site of the original settlement preceding Firefly City. It is comprised of the oldest residential buildings in the area, many of which are larger due to being built during more prosperous eras of the city’s history.

Located to the northeast of the city, this is the area known to cover the abandoned lumen crystal mines lies between the Firefly Hills, the Ember Expressway, and the shore of Lightning Bay. It is regarded as extremely dangerous by everyone but the government, yet many urban exploration enthusiasts commonly investigate the area.

Moonbeam Sound is a large inlet of the Sea of Shadows that surrounds Firefly City on two sides. It is divided into Shadow Bay and Lightning Bay.

Shadow Bay is largely part of the Starlight Mountains National Park. It gets its name from the shadows of the mountains and hills that surround it on two sides, keeping the waters darker during the latter half of the day.

Lightning Bay is an area of water to the east of Firefly City known for frequent small thunderstorms and waterspout tornadoes.

East: The Ember Expressway travels east past the Firefly City International Airport before turning north towards Sunrise City. Across the Sea of Shadows further east are more continents and countries.

West: Beyond the Starlight Mountains National Park lies the larger Auroran Plateau, where plains and farmland stretch for miles. This large area is known for it's violent supercell thunderstorms, derechos, and sandstorms.

North: Near Old Firefly, the Firefly Hills, a series of rocky, heavily-wooded hills and bluffs, are an important part of the city's history. Many old mansions and wooded areas in these hills are rumored to be haunted. Nestled within the hollers and nooks of these hills is the small, fading mine town of Daytown.

South: The Shadow Hills can be reached by crossing the Blue Island Suspension Bridge over Shadow Bay. Many people passing through these hills report feeling a sense of unease due to frequent low-light conditions. The nearest city in this direction is called Lumino City, a futuristic metropolis known for its abundance of neon lights.


Climate

Firefly City's cultural dynamics, and aesthetics are driven largely by climate.

Weather around Firefly City is generally sub-alpine. During the late spring and early summer, it is frequently misty and rainy. During the rest of the year, snow and high winds are common. The skies are often overcast during the day and clear at night.

Occasionally, strong storms and even hurricanes strike the city from the ocean, causing massive flooding, damage, and casualties. Entire regions of the city, such as the Dim District (formerly the Lightwater District), have been repeatedly ravaged by such storms, and flooding is an issue in several eastern areas.

Due to the climate, inhabitants of the city commonly wear long clothes (sleeves and pants) all year round, and jackets are common as well. Scarves, beanies, heavier shoes, hoodies, jackets, raincoats, capes, and so on are the popular, utilitarian style.


Economy

The economy of Firefly City is a key factor in many of the stories that happen there.

The economy of Firefly City is centered mainly on trade and finance. In the past, its economy focused largely on lumen crystal mining, timber, and wood-based manufacturing. As times changed, environmental concerns arose and industry moved overseas, transforming the city. Port Firefly handles imports and exports to and from the rest of the world, and Downtown Firefly hosts numerous business headquarters and government organizations.

Tourists also visit the city’s downtown and waterfront areas, often before heading up into the Starlight Mountains to hike, ski, and camp out, or before heading south to see the neon lights of Lumino City.

The city is generally prosperous as a whole, but there is significant inequality among its residents. Some are wealthy and live in the peaceful southwestern beaches, the historic Old Firefly, or the glistening city center. Others are relegated to the more desolate Dim and Industrial Districts where unfinished construction projects, uninhabitable areas, and industry make life toxic and miserable. Between these extremes, there are the middle-class suburbs of Lampyridge, Emberton, West Firefly, and Nova Heights, as well as the Spark Street Student Neighborhood of Firefly City University.


Culture

Firefly City is known for being cold— both physically and socially.

People in the city tend to be antisocial and cold. It's hard to make friends, leading many to feel isolated and lonely despite the city's large population. Only outsiders and tourists tend to be friendly and approachable unless there is some prior acquaintance involved.

Politically, the city suffers the same corruption, grifting, and broken promises seen in many other big cities. This is a big reason behind the city's partial dilapidation and cold social and cultural atmosphere.

There is a major trend in the city towards preserving legends, particularly those about the supernatural. Ghost stories, monsters, and mysteries are often featured in popular media and everyday discussion. Some suspect that this is driven by the city’s melancholy and brooding environment.


History

Firefly City has a haunting history full of grand triumphs and atrocious shortcomings.

Meaning: "The Void of Storms"

An ocean known for sudden terrifying storms, cyclones, whirlpools, and other dangerous phenomenon. Ships and aircraft passing though this area must follow strict travel routes or risk being lost beneath the waves. Two deep abysses, known as the Abyss of Souls and The Fissure, are steeped in ominous legend.

Meaning: "The Void of Octatia"

The southern ocean, frigid and perilous. It is often covered in mist or fog. Many who sail here are lost forever.

Meaning: "The Void of Shadows"

This ocean is the most heavily-traversed on the planet. It is known for its shadowy storms and a deep, rocky seafloor full of strange and unsettling creatures. It is home to some of the deepest abysses on the planet.

Meaning: "The Eternal Void"

An ocean that was once thought to extend forever due to its vast size. It is the largest ocean on the planet, and is home to the longest continuous abyss. An enormous crater sits at the former location of a small island which was the site of the cataclysmic Great Split experiment.

■ Oceans are referred to as "inanis" (from "void" in Latin). This is because for thousands of years the oceans were seen as little more than useless voids of cruel, perilous water.
"Inanis" are subdivided into more traditionally-named seas. These names are more self-explanatory, as they refer to the climate, hazards, or surroundings of the respective region of water. The only exceptions are the Sea of Souls, which is named for the many ships lost to its waters, and the Sea of Transcendance, which is named for the ancient belief that sailing east into this sea would lead sailors to another world, or even the afterlife itself.
■ The Sunshine Strait and the Sea of Turbulence are two of the most dangerous regions, with strong currents due to the unobstructed flows of water in these regions. Think of them as akin to the Drake Passage in our real world.


Further Out

Click the maps to see them in larger form!
(They are very large so it may be best to just download them).

1) A "paper" map (c. 1926) of the world of Firefly City Stories, with names as they are known in Firefly City itself.
2) A "satellite" map of the modern world of Firefly City Stories, with names as they are known in Firefly City itself.
3) The modern world of Firefly City Stories in "planet" form as projected using NASA and Goddard Institute's G. Projector program.
These maps were made by hand by me, Mitch R. over the course of two months (except for the planet projection itself). It was very tiring lol.

There is more beyond the boundaries of Firefly City!

Landmasses and Regions:

Name Info: Pronounced like "alfahshyah." From "alfajiri" = "dawn" in Swahili.

A vast continent with several cultures with rich histories. Many great empires and trade routes have flourished here, thriving in the fertile grasslands, harsh deserts, and dense rainforests.

Name Info: Pronounced like "arahshyah." From "arashi / 嵐" = "storm" in Japanese.

An extension of Prakashia and land with a cold north, a hot south, and a temperate region in between. The cultures of this land are known for their history, work ethic, and creativity.

Name Info: A region and country in the Arctic.

A vast, barren ice wasteland in the north only broken by looming mountains, frozen rivers, and hints of a mysterious and reclusive civilization of an unknown group of beings.

Name Info: From "aurora borealis" = "northern lights" in pseudo-Latin.

A temperate continent with an interconnected network of cities and countryside communities. It is the home continent of Firefly City and the country known as the "Commonwealth of Aurora" (COA).

Name Info: Pronounced like "bahnshiyah." From "bansa / 반사" = "reflection" in Korean.

An extension of Prakashia and a land dominated by vast forests and grasslands, as well as a resourceful culture that is known for its innovation and creativity.

Name Info: From kilanovae.

A small continent covered in a mix of rainforest and grassland. It is a key component of much oceanic trade and exploration.

Name Info: From "kurrani" = "moon" in Tiwi aboriginal language.

A land of big cities and big wildernesses surrounded by stormy seas. It is known as the final stop on the voyage west.

Name Info: From "nebulosa" = "nebula" in both Spanish and Portuguese.

A continent rich in environmental variety, including deserts, rainforests, ice plateaus, and grassland. It is known for its cultural vibrance and mysterious ancient history.

Name Info: The eighth continent ("oct-"), also "Sigma Octantis" is the Southern Star.

An uninhabited southern land of ice, mountains, and mystery. Many have attempted to explore this region. Many have disappeared without a trace.

Name Info: From "otrazheniye / отражение" = "reflection" in Russian.

A cold but fertile northern continent with a mix of cities and towns spread amongst vast forests and grasslands. Several massive glacial lakes exist in this land.

Name Info: From "prakashah / प्रकाशः" = "light" in Sanskrit.

A land of harsh environments and civilizations that thrive despite them. Many ancient legends and modern marvels originate from this place. This continent technically includes Banshia and Arashia.

Name Info: Pronounced like "poolia." From a crater on Jupiter's moon Europa, and by extension the Celtic mythological figure Pwyll.

A continent known for its many historic cities and a variety of cultures dating back centuries. Many societies can trace aspects of themselves back to this continent, for better or worse.

■ The world of Firefly City Stories is Earth, but with a lore-based reason for the differences between it and our world in real life (to be revealed, but hints are there already).
■ Locations are partly inspired by mixes of real places, and the names often follow suit. Research for the world map (particularly place names and making sure climate and plate tectonics were plausible) was extensive.
■ In this research, I found that Sanskrit and Persian can be to eastern worldbuilding as Latin and Greek are to western worldbuilding.
■ Convention is still focused on light/dark, celestial objects, meteorological phenomena, and gemstones.
■ Exceptions to convention are for specific, intentional reasons but are kept generally relevant (such as eternity, dust, etc.)

Oceans and Seas:

Meaning: "The Void of Storms"

An ocean known for sudden terrifying storms, cyclones, whirlpools, and other dangerous phenomenon. Ships and aircraft passing though this area must follow strict travel routes or risk being lost beneath the waves. Two deep abysses, known as the Abyss of Souls and The Fissure, are steeped in ominous legend.

Meaning: "The Void of Octatia"

The southern ocean, frigid and perilous. It is often covered in mist or fog. Many who sail here are lost forever.

Meaning: "The Void of Shadows"

This ocean is the most heavily-traversed on the planet. It is known for its shadowy storms and a deep, rocky seafloor full of strange and unsettling creatures. It is home to some of the deepest abysses on the planet.

Meaning: "The Eternal Void"

An ocean that was once thought to extend forever due to its vast size. It is the largest ocean on the planet, and is home to the longest continuous abyss. An enormous crater sits at the former location of a small island which was the site of the cataclysmic Great Split experiment.

■ Oceans are referred to as "inanis" (from "void" in Latin). This is because for thousands of years the oceans were seen as little more than useless voids of cruel, perilous water.
"Inanis" are subdivided into more traditionally-named seas. These names are more self-explanatory, as they refer to the climate, hazards, or surroundings of the respective region of water. The only exceptions are the Sea of Souls, which is named for the many ships lost to its waters, and the Sea of Transcendance, which is named for the ancient belief that sailing east into this sea would lead sailors to another world, or even the afterlife itself.
■ The Sunshine Strait and the Sea of Turbulence are two of the most dangerous regions, with strong currents due to the unobstructed flows of water in these regions. Think of them as akin to the Drake Passage in our real world.

 

Coming Soon...?

These are some hints for stories that might be coming soon to the world of Firefly City!
Hints for existing stories are included (struckthrough) as examples.
Remember, nothing is guaranteed as some things get skipped, merged, or altered, but if you're feeling curious...


  • I hope this works out... (Bluefire Books)

  • Wish you were here... (Where's Willow?)

  • Illuminate the darker waters... (Pilot Light)

  • I hear rumbling underground...

  • Observe. Record. Don't intervene. Do. Not. Intervene.

  • I f%#@ hate this place...

  • I wanna go home...

 

FCS Quick Links

The following buttons link to official pages of various Firefly City Stories content.


Social media pages:

Black icons are inactive pages, but the profiles linked are still official.

Financially support:

Support is very much appreciated!

Read comics:

Comics can also be read on most FCS social media pages.

Stream or download music:

Music I make is automatically put on these by my distributor (except for Bandcamp, which I do manually).

 

Reactions and Commentary

Thank you for your interest in creating reaction or commentary content around Firefly City Stories projects!Creating Firefly City Stories is no small task. In order to keep things fair and ensure that I can get the proper benefits from my own work, all reaction or commentary content around Firefly City Stories projects must follow the below policy to be permitted.This policy is not intended to be difficult or to sound unfriendly (on the contrary, I'm happy you're interested!), but I do have an obligation to protect my work, rights, and the work and rights of those I have collaborated with on these projects. As such, the wording has to be a bit firm.Thank you for understanding, and being considerate.
- Mitch Ran


Reaction/Commentary Policy

Policy for reactions or commentaries on Firefly City Stories content is as follows:➊ The reaction/commentary should not function as a substitute for watching the original media on the Firefly City Stories channel (or elsewhere). The focus should be on your reaction/commentary, not on the original video. This should be achieved via some or all of the following:○ Showing parts of the original instead of the whole thing.
○ Pausing frequently to share your thoughts.
○ Waiting a fair amount of time after the release of the original to make reactions or commentary (1 week minimum preferred).
➋ Proper credit is required. Proper credit consists of:○ A verbal mention of the Firefly City Stories channel in reaction/commentary video/stream itself.
○ A link to the Firefly City Stories channel within the first few lines of the reaction/commentary video's description.
○ Links to the FCS Patreon, Ko-Fi, and Merch Store would be appreciated, as financial support allows me to make these stories in the first place.
➌ I reserve the right to take necessary action to protect my work if this policy is not followed.-----⚠ EXTRA NOTE:Firefly City Stories content contains original copyright-protected music.
○ This is labeled by my music distributor automatically through contentID.
○ I cannot "whitelist" any specific channel, even my own.
-----Unauthorized reproduction, reuse, or reupload of Firefly City Stories content is strictly prohibited.This policy is subject to change.